💰 ウィリアムヒルの評判と信頼性は?【年最新版】プロ厳選カジノ

This was the inside of Desmond's face, as the camera for the initiation sequence was shown in 3 ways: starting back and moving forward, starting front and moving backwards, and upside-down. Rebecca talking about her Animus 2. It was developed as a modular tool, allowing the game's developers to explore any aspect, be it additional memories, multiplayer or other content. His eyebrows, nose, and lips were easily seen if the screen was frozen. Desmond using the Animus 1. The Animus 1. As the user of the Animus was able to interact with the environment in which they were viewing, the concept of synchronization was brought into play. Animus 1. Once Ezio's story was completed in Assassin's Creed: Brotherhood , the option to leave the Animus was removed from its main menu due to Desmond's comatose state. Alternate Animi concepts as seen in the Assassin's Creed Encyclopedia. This in turn forced the user to reload the memory from an earlier point. Alternate Animus designs as seen in the Assassin's Creed: Encyclopedia. Assassin's Creed Walkthrough - Introduction.{/INSERTKEYS}{/PARAGRAPH} Gallery Animus 2. When the camera moved slightly backwards, it glitched into Desmond's face. In Assassin's Creed II , its use was expanded. In the Animus 1. Prolonged use caused a condition known as the "Bleeding effect", which blended the real-time and genetic memories of the user, transferring thoughts, skills and experiences from the ancestor to the descendant. {PARAGRAPH}{INSERTKEYS}Although this was limited in the Abstergo model, the level of interaction increased greatly in the Animus 2. The Animus became an interface to a new world, including information about the historical locations, people, and time periods. The Animi Room in Rome facility. Failure to follow the memories of an ancestor exactly often resulted in a temporary decrease in synchronization with said ancestor, and continuing such actions would lead to complete desynchronization. Because the modern day storyline of this comic series heavily contradicts that of the main canon it is not known if this Animus exists in the main canon. A different design of the Animus was used by Jonathan Hawk in the third issue of the French comic series. While replaying memory blocks in Assassin's Creed, an unusual red-beige tinted abnormality showed itself for one frame as the memory was initiated.